About Me

My path into the world of sound began when I moved to London to formally study sound at Alchemea College Of Audio Engineering, where I discovered my true passion: sound for film. That blend of technical precision and emotional storytelling immediately clicked, and I’ve been working in the industry ever since graduation.

 

My career in film has taken me across a wide spectrum of storytelling—from quiet, introspective documentaries to high-energy, large-scale productions. I’ve had the opportunity to work on acclaimed projects such as The Flight Attendant, Heart of Stone, Thin Ice, Sisterhood, Afturelding (Balls), and Stella Blómkvist, as well as the feature film Odd Fish, which earned me a nomination for Best Sound at the Icelandic Film Awards. My documentary credits include Religion of Sports, This is Football, A Song Called Hate, and Mars: One Day on the Red Planet.

 

Depending on the scale and demands of the production, I either work solo—as I often do on documentaries and smaller commercial shoots—or alongside my trusted boom operators, particularly for dialogue-heavy projects with actors.

 

This flexibility allows me to adapt to a range of workflows while maintaining a consistently high standard of sound. My approach is rooted in adaptability, technical precision, and a deep respect for the creative process. Whether it’s capturing the subtle textures of a remote interview or navigating the sonic challenges of a complex set, I bring a calm, collaborative presence to every production.